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The Indian Kurietí Natural History Museum Costa Rica develops oral and written research, as well as archaeological and cultural properties protection from the colonial era to today. Moreover in
recent years the museum has been devoted to the investigation, retrieval and distribution of medicinal plants in the region, that’s why a sort of botanical garden was created, where Ángel Ramírez himself explains the therapeutic use of all the flowers and trees he has cultivated. The museum is located in Tobosi del Guarco, Cartago.
Over the past thirty years, Ángel Ramírez Ramírez has been committed to rescue the history and traditions of the Tobosi del Guarco indigenous. His initiative and creativity allowed him to create the Indian Kurietí Natural History Museum called in honor of a former Suquia of the area. Its link in the rescue of the local culture began in 1971 when he decided to investigate the origins of their community and their relationship with Piriruci-Tobosi indigenous. Gradually he collected more than 2,000 documents related to the topic. So in 1990 the project was designated of cultural and scientific importance by the National Commission on Selection and Disposal of Records, under decree number 72002.
Ramírez currently develops oral and written research, archaeological and cultural properties protection, and precisely at the Indian Kurietí Natural History Museum is where all those elements can be found. There you will have access to information on the indigenous roots of the Tobosi area, indigenous graves replicas, photographs and other items that remind us the history of the area.
Address: 150 meters south of the Tobosi del Guarco police station, district: Tobosi, canton: El Guarco, province: Cartago, Costa Rica. Zone postal code: 30803.
GPS Coordinates of Tobosi: 9.84455,-83.983003 (9°50’40.38″N, 83°58’58.81″W)
Schedule: from 9 a.m. to 5 p.m., closed Tuesday.
Phone: + (506) 2573-7113
collection that started to be collected on November 10th, 1932. It consists of a colonial arms room, a pre-Columbian pieces room and a room that represents a “colonial home”. It is located in one of the oldest cities in Costa Rica, in a valley not far from San Jose. Here, students go to class in a building that has been an academy, barracks, school and museum.
situation continued until 1965 when the then-director Don Jesús Baldares Molina introduced several improvements to the museum and moved it to its current location at the lower part of the institutional building northeast section.
has in display an archaeological exhibit of the area, featuring the lifestyles of Turrialba’s early populations. It also exhibits a magnificent collection of ceramic figures and policies, including scrapers, burins, knives, etc, and a reconstruction of a typical house used by the aborigines of the area.
learn the wonderful world of volcanoes. The museum teaches about the Irazú volcano, about its history, eruptions, hydrography, flora, fauna, agriculture and people, and also educates about the volcanoes of Costa Rica, volcanoes on Earth and volcanoes in other planets, how they are formed and much more. The museum features films of the Irazú volcano, legends and photographs of other volcanoes.
abandoned, until 1985, when the priest Gerardo Sanabria arrives to the village, who in the early nineties, continues the museum project, supported by ACUJA (Ujarrás Cultural Association), however, at this time it didn’t open its doors, because they continued researching and preparing the space for it. In 2000, due to renovations in the physical infrastructure of the parish, the museum was transferred and reopened in 2003 at the bottom of the temple, which until today offers to the public the history of the canton of Paraiso, Cartago.
he religious devoted to the Ujarrás Virgin, as well as worship objects and important celebrations; the historical with documents, relocation decrees, scrolls, newspapers, etc. The museum features photographs of ancestors and activities of the village with an area dedicated to Don Florencio del Castillo, his life and importance to our country, and with an Indian grave with petroglyph casket brought from Urasca and rests of the ancient foundations of the temple constructed with Calicanto.
located next to the temple in an Ancient Franciscan Fathers Convent, construction that dates back to 1743. Both the temple and the museum were built in the late eighteenth century by the Franciscan Fathers and have become the symbol of the colonial era. The buildings are made of adobe and some Calicanto, a mixture of stone, cement, sand and lime. Its exterior is austere, but the interior decor is absolutely baroque with carved and painted wooden sculptures and altarpieces.
ancient legend about the construction of the Orosi Church, which is located next to the San Jose of Orosi Religious Art Museum. It is said that the temple opens its door to the main rising sun, a rarity compared to other churches that look to the West.
epic starring, and to assume an evaluation role on the Alajuela cultural heritage values.
Pepe is recognized in the world for having the vision to abolish the army, allowing Costa Rica to invest in social development. He was a man committed to culture and always gave great importance to the cultivation of the arts.
values of the Costa Rican nation. It also takes account of customs and traditions and organizes competitions for portals, local foods and volley, among others.
real locomotive. You can also gain valuable insights on agrarian culture, through the various tools and machinery used by farmers over the years.
with Cebadilla, which was completed in 2002 and declared a Historic-Architectural Heritage of Costa Rica, according to Executive Decree No. 30936-C, published in Official Gazette No. 12 on January 17th, 2003.
light of the needs and challenges of the present.
business development. Many popular cultural practices lost interest and force, so it began a period of deterioration, neglect and extinction. These cultural practices are our heritage today and for that reason, the Popular Culture Museum (Popular Folk) has taken them as an object of study so that they are studied and preserved for the enjoyment of present and future generations. This is why the programs, projects and activities of the museum are aimed at different sectors, such as students, teachers, families, seniors, organized groups and tourism.
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