The Abangares Mine Ecomuseum Costa Rica

Address: La Sierra, district: Sierra, canton: Abangares, province: Guanacaste, Costa Rica. Zone postal code: 50702.

WAZE location The Abangares Mine Ecomuseum Costa Rica  Google Maps location The Abangares Mine Ecomuseum Costa Rica

GPS Coordinates of La Sierra of Abangares: 10.285153,-84.928342 (10°17’6.55″N, 84°55’42.03″W)
Schedule: from Tuesday to Sunday from 7 a.m. to 4 p.m.
Phone: +506 2690-5236+506 2690-5239+506 2662 0004

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO Las Juntas of Abangares, Guanacaste, Costa Rica at Google Maps

The Abangares Mine Ecomuseum Costa Rica was founded in 1991, located precisely where there was the gold processing plant, rescuing the buildings and machinery that was used at the time of the gold rush in Costa Rica.

In the museum, there is an outdoor exhibition of mining machinery and an exhibit hall with old photographs and miner objects such as crucibles, carburetors, pulleys, an oven, etc. When you climb to the top you can see the stone ruins of the Former Mazos Building that crushed 100 tons of gold material every day for the 30 years that the mine worked. It resembles impressive indigenous archaeological ruins. At the museum there is a dynamo or Pelton that was used in the hydroelectric plant, an air blade or wagons loader and one of the steam trains called the Tulita, in honor of the mines manager wife in 1904, Mr. Hito, the machine carried mine material to the Mazos from the nearby mines.

In general at the Abangares Mine Ecomuseum you can learn about gold mining with the available machinery, tunnels, photos, trucks. Available services: tours, night walks, thermal pools, restaurant and accommodation.

History of Abangares Mine

The story begins in 1884 when Juan Alvarado Acosta discovered the mine and in 1887 he sold it to Vicente, Paulino and Rafael Acosta who called the mine “Three Brothers”. In 1889 the company was sold to the Anglo American Exploration Development Company Limited, during the government of Rafael C. Iglesias, and then into the hands of the Abangares Gold Fields.

Abangares is known as the Costa Rica mining canton, as it was the location of the largest gold mining project in the history of Costa Rica. The main mining district was La Sierra of Abangares, where Minor Cooper Keith placed his company the Abangares Gold Fields, the Costa Rican gold processing plant. Another Abangares district in which the gold extraction also influenced was Las Juntas, where mines were developed and where workers converged on the weekends to drink and play poker. The name “Abangares” is derived from the name of the former indigenous chief of the area which was “Avancari” in the Nahuatl language means “God of the waters” or “God of the marshes”. Avancari was accredited the force and flow of the river that crosses the canton today called “Río Abangares” (Abangares River).

The name of the La Sierra district comes from the mountain range that crosses the territory and the name of Las Juntas has a very peculiar etymology. The story tells that after payday the miners met at the nearest town to drink and play poker (as noted above), and this activity was called “Las Juntas”.

After obtaining the mine, began the mining exploration and new mines were created all over the mountain range of La Sierra of Tilarán in the Abangares territories. Gold exploitation techniques were imported which raised the gold processing productivity. The application of cyanide, mercury and gold spraying with complex equipment such as breaker or decks boxes, filters, grinders, air compressors, locomotives, lifts, determined the areas big development (which is compared with the development that caused the gold rush in California), in such a way that for 1901 there was a Commissariat (small market), hospital, shops, hotels, workshops, ice factory, telegraph and electrical substation.

The mining attracted immigrants from many different places. The workers mass was formed throughout Costa Rica and Central America. The Italians were brought to work as stonecutters or stone laborers for the construction of the Mazos Building base (where gold was processed). Jamaicans were the foremen, and Chinese, German, English and North Americans conducted administrative tasks. Mining gave a lot of capital to Minor Keith but in 1931, the company left the region due to the 1929 crisis or depression in USA as well as the scarcity of gold deposits.

Santa Rosa’s Casona Historical Museum, Costa Rica

Click aquí para ver esta página en Español

The Santa Rosa’s Casona Historical Museum (Museo Histórico Casona de Santa Rosa) is the site of the battle against American filibuster William Walker. It consists of historical rooms which allow you to learn the relevant facts to the events occurred at the Hacienda of Santa Rosa and you can also enjoy a showroom about the Guanacaste Conservation Area (ACG in Spanish). All rooms are decorated with artwork that will guide you on your journey.

The museum is a very large structure, typical of the cattle ranches of Guanacaste, it also has a chapel (at one side of the chapel is located the room where slept the officiating priest who came to Mass every Sunday with neighbors from other farms), an old kitchen with the utensils used in the farms, a “Sabanero” room and a room with natural resources information. The museum also features guided tours, a small documentation center in the administrative area of the Park with scientific information, dining room, souvenir shop and a camping area with drinking water, tables, grills and garbage dumps.

Santa Rosa’s Casona History

Santa Rosa was one of the largest and oldest ranches in the country. Available data from the year 1663 refers to it as a place where agricultural and livestock activities developed through the years until 1966. It was not until 1863, when the owner Don Inocente Barrios Muñoz, registered Santa Rosa in the Public Registry under the name of “Finca Santa Rosa”. The original house was transformed in 1895, expanding and providing the design that remains until today. In 1919 the balcony was built and more recently the Ministry of Culture and the National Parks Service has been responsible for carrying out the necessary restoration work to keep the historic site.

Near the Casona are located the stone pens, built around 1700, there visitors can observe the “Bramadero” and southward along the immersion bath in which they bathe and took care of livestock.

A little history: in the nineteenth century, Nicaragua had run into political problems, a situation exploited by the North American William Walker, with slave trends, which governed under the doctrine of “Manifest Destiny” (the domain of powerful countries on the small ones). Walker offered his help in Nicaragua to resolve the problems and established in this country. His true intentions were to conquer the five provinces of Central America, “Five or None.”

In Costa Rica the President of the Republic Don Juan Rafael Mora Porras, knowing the intentions of Walker, declared war to Nicaragua on February 27th, 1856 and calls for Costa Ricans to join arms. The march began on March 4th from San José to Northern Border, commanded by the President, arriving to Liberia on March 12th where they join the battalion organized in that city (Moracia Battalion), under the command of Don José María Cañas. When the buccaneers heard about the movement that was happening in our country, they decided to send troops under the orders of colonel Schlessinger, which entered Costa Rica by the road that connected Liberia and Nicaragua, which also passed through the Hacienda of Santa Rosa, arriving on March 19th.

Costa Ricans started the journey to Santa Rosa too and on March 20th, armed with rifles, swords and bayonets at 4 p.m. began the attack, surrounding the buccaneers that had been located in the Casona and in the pens, and fourteen minutes later, the battle ended with the Costa Ricans triumph.

Address: Santa Rosa National Park, district: Santa Elena, canton: La Cruz, province: Guanacaste. Zone postal code: 51004.
GPS coordinates: 10.877594,-85.585858 (10°52’39.34″N, 85°35’9.09″W)
Schedule: From Monday to Sunday from 8 a.m. to 4 p.m.
Website: www.acguanacaste.ac.cr
Phone: + (506) 2666-5051 / 2666-5020

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO Santa Rosa, Guanacaste, Costa Rica at Google Maps

Punta Islita’s Outdoor Contemporary Art Museum, Costa Rica

Click aquí para ver esta página en Español

Punta Islita’s Outdoor Contemporary Art Museum (Museo de Arte Contemporáneo al Aire Libre de Punta Islita) was established in 2003 after the “Encuentro en Islita” an activity in which a group of urban artists made more than 15 works on public houses, forests, communal hall and town square. The museum has a social concept of art and creative thinking as a generator of sustainable development, and it aims to develop an artistic language through a process with a group of about 50 local artists.

The Punta Islita Outdoor Contemporary Art Museum has the Museum House, were they teach various workshops and develop activities for San Jose in coordination with the Costa Rican Art Museum. Currently the museum is part of the International Council of Museums (ICOM) and is located in Punta Islita, Nandayure in the province of Guanacaste. The Museum has ramps and access for disabled, guided tours, workshops on creativity and thinking, as well as training in various artistic areas.

Address: Islita, district: Bejuco, canton: Nandayure, province: Guanacaste, Costa Rica. Zone postal code: 50906.
GPS Coordinates: 9.859472,-85.396428 (9°51’34.10″N, 85°23’47.14″W)
Schedule: From Tuesday to Sunday from 8:00 a.m. to 3:00 p.m.
Phone: + (506) 2661-4044 / 2290-4259

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO Punta Islita Church, Guanacaste, Costa Rica at Google Maps

San Blas of Nicoya Religious Art Museum, Costa Rica

Click aquí para ver esta página en Español

San Blas of Nicoya Religious Art Museum (Museo de Arte Religioso de San Blas de Nicoya) is an adobe building with religious icons in wood, located at the Colonial Church of San Blas in Nicoya. Here the heavy appearance and volume of the temple, proclaimed to all the Christian fervor, pride of those who planned and built, making it ideal for lovers of religious art.

This property was declared a National Relic in 1923 and in 1995 became, together with its environment, a site of both historical and architectural interest. At the San Blas Religious Art Museum you can find historical relics dating from the seventeenth and eighteenth centuries from Spain and Latin America, it has a collection of religious images, pieces of bronze, paintings, and also protects the bells that were used in antiquity to try to get as far as possible the message of invitation to the divine office, to parties and duels.

Address: Colonial Church, next to Nicoya’s Park, district: Nicoya, canton: Nicoya, province: Guanacaste, Costa Rica. Zone postal code: 50201.
GPS coordinates: 10.142881,-85.454131 (10°08’34.37″N, 85°27’14.87″W)
Schedule: From Monday to Friday from 8 a.m. to 4 p.m. Saturdays from 8 a.m. to 12 p.m.
Phone: + (506) 2685-5109

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO The San Blas of Nicoya Religious Art Museum in Guanacaste, Costa Rica at Google Maps

Ecomuseo de la Cerámica Chorotega de San Vicente de Nicoya Costa Rica

Haga click en el siguiente enlace para leer está página en Español: Ecomuseo de la Cerámica Chorotega de San Vicente de Nicoya Costa Rica

The Chorotega Ceramic Ecomuseum was established in 1992 as an idea from a group of neighbor’s to rescue and perpetuate the art and culture of our Chorotegas ancestors. The building construction started in 2003 thanks to the economic and human support of some institutions, both national and international.

On May 26th 2007 was the inauguration of the first phase of the museum, which begins with a temporary craftsmen photographs exhibit, Chorotegas indigenous pre-Columbian replicas developed by our expert craftsmen, contemporary designs and from the Chorotega Farm. In addition the museum gives visitors a talk about the history and a demonstration of the ceramic elaboration process.

Experience the past in the present by visiting the Chorotega Ceramic Ecomuseum in our community that is an open museum where the greatest treasures are their people, their history, art and the environment they inhabit. The landscape and culture are windows that invite visitors to learn, to feel, to think and participate in different activities:

* Temporary photographs exhibition.
* Talks about the history of our community.
* Demonstration of the production of the Chorotega ceramic.
* Walks to the sites of materials extraction, where you will also observe the scenic and natural beauty that surrounds us.

The idea is that the entire community is a museum since the concept of Ecomuseum has three aspects: land, community and heritage. The museum is located in San Vicente, a Costa Rican community, which is located 17 km southeast of Santa Cruz, Guanacaste, or 20 km northeast of Nicoya. From Santa Cruz, the road is paved until Guatil (which is 2 km upstream of San Vicente). The Nicoya street to San Vicente is ballast, but it is accessible for any type of vehicle.

Address: 17 km southeast of Santa Cruz, Guanacaste, or 20 km northeast of Nicoya, district: San Antonio, canton: Nicoya, province: Guanacaste. Zone postal code: 50203.
GPS Coordinates of Guatil: 10.264158,-85.480514 (10°15’50.97″N, 85°28’49.85″W)
Website: www.ecomuseosanvicente.org
Phone: + (506) 2681-1563

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO the Chorotega Ceramic Ecomuseum of San Vicente of Nicoya, Guanacaste, Costa Rica at Google Maps

The Agony Lord Religious Art Museum Costa Rica

Haga click en el siguiente enlace para leer está página en Español: Museo de Arte Religioso del Señor de la Agonía en Costa Rica

The Agony Lord Religious Art Museum (Museo de Arte Religioso del Señor de la Agonía) is located within the Agony Chapel in Liberia downtown. This building was built in 1852, during an era in which architecture reflected the religious fervor of the community.

The museum opened its doors in 1991 to preserve the religious heritage and traditions of Liberia. Its collection includes last century objects of historical and cultural significance. Among them, the religious images in wood, in which various types of religious sculpture and Spanish art heritage can be appreciated, likewise, you will be able to find rosaries, prints, births and furniture from the era.

Address: Agony Lord Chapel, 550 meters east from Liberia city hall, district: Liberia, canton: Liberia, province: Guanacaste, Costa Rica. Zone postal code: 50101.
GPS coordinates: 10.631548,-85.433424 (10°37’53.57″N, 85°26’00.32″W)
Opening Schedule: Call before visiting.
Phone: + (506) 2666-0107

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO the Agony Lord Religious Art Museum in Guanacaste, Costa Rica at Google Maps

The Sabanero Regional Museum Costa Rica

Haga click en el siguiente enlace para leer está página en Español: Museo Regional del Sabanero Costa Rica

The Sabanero Regional Museum honors an almost legendary character that marked much of the Guanacaste culture, that’s why its rooms show items and tools used by the “Sabaneros” (plainsmen) to perform the tasks of the field.

The museum is located in the Culture House, a beautiful building that in 1989 was declared of Architectural Interest by Executive Decree 18896-C. The place is colonial style, with a construction of wood, mud and covered with tile. In fact, the museum is part of the old sector of the city and is a milestone in Liberia.

Address: 300 meters south and 100 meters east of the former Liberia city hall, district: Liberia, canton: Liberia, province: Guanacaste, Costa Rica. Zone postal code: 50101.`
GPS coordinates: 10.627278,-85.435875 (10°37’38.20″N, 85°26’09.15″W)
Schedule: From Monday to Saturday from 9:00 a.m. to 5:00 p.m. Sunday from 1:00 to 4:00 p.m.
Phone: + (506) 2665-0135

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO the Sabanero Regional Museum in Guanacaste, Costa Rica at Google Maps

Puntarenas City Marine Historic Museum Costa Rica

Address: Former Plaza police headquarters building in downtown Puntarenas, district: Puntarenas, canton: Puntarenas, province: Puntarenas, Costa Rica. Zone postal code: 60101.
GPS Coordinates: 9.976564,-84.827625 (9°58’35.63″N, 84°49’39.45″W)
Hours: From Tuesday to Sunday from 9 a.m. to 430 p.m.
Website: www.parquemarino.org
Fax: +(506) 2661-0633
Telephone: +506 2661-5272

WAZE location Puntarenas City Marine Historic Museum Costa Rica  Google Maps location Puntarenas City Marine Historic Museum Costa Rica

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO the Marine Historic Museum of Puntarenas City, Costa Rica at Google Maps

The Marine Historic Museum of the Puntarenas City not only is an aquarium with marine life up to the Cocos Island National Park, full of fresh and salt water species, but it also shows the natural beauty of the Puntarenas Port, the wealth of its history and the Puntarenas people charm. At its different sites on natural history, archeology and history, is reflected the way of life that for thousands of years has developed in this region. Archaeological information has allowed to know about the first settlements of indigenous groups in the region, the way how they got their food, taking advantage of the various resources of the area, types of burial practices and the terms of trade and commerce therein.

The story focuses on the Puntarenas city, although the province includes part of the North, Central and Southern Pacific areas in Costa Rica, it has grown more independent and distinct from the rest of the province. In this same manner we will be taken to the past and learn how the Puntarenas Port became one of the most important in the country and some of the traditions and religious celebrations of the Puntarenas people, characterized by its diverse geographical and cultural origins.

The museum displays the diversity of natural resources of the area, including its wetlands, forests, marine life, land animals and birds. The museum outlines the importance of the Nicoya Gulf and the islands that are in it. Delves further into the natural wealth of the Cocos Island and tells about pirates and their treasures. It is located in the Former Plaza police headquarters building in downtown Puntarenas.

Boruca’s Indian Community Museum Costa Rica

Haga click en el siguiente enlace para leer está página en Español: Museo Comunitario Indígena de Boruca en Costa Rica

Boruca is an example of a community who struggles to survive and maintain their traditions and customs, as its inhabitants have a rich artistic heritage which is reflected in their beautiful handmade creations. That is why the community decided to create the Boruca’s Indian Community Museum, a place where history merges with the Indian people and artistic development that they have achieved.

The history of the community museum has its beginnings more than 13 years ago and since then between various problems, they have celebrated major achievements, which has motivated them to continue their museum project. Today, weeks after completing two years of the reopening of the museum, the Association of Craftsmen and Artisans “La Flor” (the Flower), keeps working for their museum space to grow and increase the tissue between the threads of the past, present and future of their community, with which they expect to retain its cultural and natural heritage and to defend their lifestyle, knowledge, identity and values in pursuit of integral development.

The Boruca’s Indian Community Museum is an example of national and international museums of this type. The craft people held together and seek new solutions for changes in museum supplies. Advised by the Program of Regional and Community Museums, they are working on a redesign with its own vision of a new museum, to extend their horizons to integrate all the physical space of the community including cultural and natural values, to introduce new topics not yet integrated, to have an own collection, to collect and investigate their own local history and technological improvements to the procurement of computer equipment.

They are in pursuit of developing new projects to diversify the services they want to offer to the visitor, under a rural community tourism mode, where people can taste traditional foods, live in a local indigenous family home, participate in craft activities and enjoy tours of the lifestyle of the indigenous community of Boruca. The museum has been adapted to the present times, therefore, in compliance with Act 7600, it has made changes to be accessible for people with special needs. There is a space where they sell their handcrafts which fund their projects, maintain the building and pays the person who attends visitors. The entry has no charge but contributions are extremely helpful and important.

The museum seeks to highlight the ancestral construction techniques and natural fabric crafts, particularly woven with threads, vines and carved masks. In also aims to revitalize the traditional culture of Boruca, emphasizing the area’s traditional architecture. The museum’s building is an example of the kind of hut that was used in ancient and traditional Indian homes. The opening of the Boruca’s Indian Community Museum had support from the National Museum and the Central Bank museums, who supported the Indian community in several ways. The museum has a souvenir shop with many different types of Indian handicrafts produced by the same Borucas of the area.

When you have the opportunity to visit the Boruca’s Indian Community Museum, you’ll have the fortune to see a group of artisans weave on a daily basis their products of traditional crafts with determination and love, as well as the living history of a dream of having their own museum.

Address: Boruca’s Indian Territory, canton: Buenos Aires, province: Puntarenas, Costa Rica.
Boruca’s Indian Community Museum GPS Coordinates: 9.001622,-83.325855 (9°00’05.84″N, 83°19’33.08″W)
Boruca’s Indian Community Museum entrance GPS Coordinates: 9.001908,-83.322644 (9°00’06.87″N, 83°19’21.52″W)

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO Boruca’s Indian Community Museum in Puntarenas, Costa Rica at Google Maps

Terraba’s Indian Community Museum Costa Rica

Haga click en el siguiente enlace para leer está página en Español: Museo Comunitario Indígena de Térraba en Costa Rica

The Terraba’s Indian Community Museum was created as instrument to recover our culture’s historical, handmade, and ecological legacies, to raise awareness for the new generations. The museum is part of the complex of the Terraba Culture, comprising the House of Indigenous Health, Cultural Rancho and cultivation of medicinal plants. The Terraba’s Indian Community Museum shows evidence of the Térraba Indigenous Culture, emphasizing their way of life, vernacular architecture and craftsmanship.

Address: Terraba’s Community, district: Potrero Grande, canton: Buenos Aires, province: Puntarenas, Costa Rica. Zone postal code: 60303.
GPS Coordinates for Buenos Aires: 9.171619,-83.334567 (9°10’17.75″N, 83°20’4.43″W)
Schedule: From Friday to Saturday from 9:00 a.m. to 4:00 p.m.
Phone: + (506) 2223-4472 / 2771-0511

Address map: Click here to view directions from Juan Santamaria International Airport (SJO), Alajuela, Costa Rica TO Terraba, Puntarenas, Costa Rica at Google Maps